Mariah Carey (album) - Wikipedia, the free encyclopedia. Mariah Carey is the self- titled debut studio album by American singer and songwriter Mariah Carey, released on June 1. Columbia Records. Its music incorporates a range of contemporary genres with a mix of slow ballads and dance tracks. Originally, Carey wrote four songs with Ben Margulies, which solely constituted her demo tape. While altered and partially re- sung after being signed to Columbia, all four songs made the final cut for the album.
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Aside from Margulies, Carey worked with a range of professional writers and producers, all of whom were hired by Columbia CEO, Tommy Mottola. Mariah Carey featured production and writing from Rhett Lawrence, Ric Wake and Narada Michael Walden, all of whom were top record producers at the time. Together with Carey, they conceived the album and reconstructed her original demo tape.
Reviews of the album generally complimented Carey's voice and technique, but were ambivalent towards the songwriting. It nonetheless became a commercial success, topping the Billboard 2.
Mariah Carey was certified nine- times platinum by the Recording Industry Association of America (RIAA), denoting shipments of nine million copies in the United States. The album experienced similar success in Canada, where it topped the charts and was certified seven- times platinum. Mariah Carey fared well in other worldwide territories, reaching the top ten in the Netherlands, Australia, New Zealand, Norway, Sweden and United Kingdom. Worldwide, the album has sold more than 1. Five singles were released from the album, four of which became number- one hits on the Hot 1. The song was critically lauded, and was regarded as one of the strongest debut singles by a female singer.
The album's second single, . With the following two singles, . While working several jobs, she continued writing and producing music with Margulies, making changes and additions to the demo. Starr, and soon began singing back- up for her.
So I went to the audition, and Brenda was such a great person. Greenberg, president of Atlantic Records took notice of her. He quickly returned to the event, but a discouraged Carey had already left. We don't look at her as a dance- pop artist. We look at her as a franchise. Mottola's confidence in Carey led him to hire a range of talented and well- known musicians and songwriters to assist with Carey's demo, as well as to create new material. Among them were Ric Wake, Narada Michael Walden and Rhett Lawrence.?
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We worked together for a three- year period developing most of the songs on the first album. She had the ability just to hear things in the air and to start developing songs out of them.
Often I would sit down and start playing something, and from the feel of a chord, she would start singing melody lines and coming up with a concept. While he described Carey as . After flying to New York and working with Carey, Walden was astonished by her voice. In the studio, she presented him with the demo of . They added a new arrangement to the original chord progression, while Carey changed the song's melody and key.
Afterwards, Margulies added few drum notes to the arrangement, including additional guitar and bass notes. When I was doing it, my voice split and went into a harmony. If you hear it, it splits.
I was saying, 'Get rid of that,' but everyone was saying 'No way, we're keeping that'. He said that after finishing the song, she returned to the studio the following week, all in order to correct . She had been working on the demo with Margulies in his studio.
It was on a work tape that we had.. It was just a piano vocal demo - I played live piano, and she sang it. While on a company plane, she played the demo of . She protested - her album was already being mastered, and she intended this ballad for her next release. The demo was sent to producer Afanasieff.
When Carey flew west to work with Narada Michael Walden on some tracks for her first album, Tommy Mottola and Don Ienner were impressed with Afanasieff's work and gave him an executive staff producer job with the label. I'd never produced anything by myself up until that time. It was do it or we were gonna miss out on the whole thing.
We got the tape and recorded everything and we got on the plane and went to New York (and) did her vocals. She did all the backgrounds, practically sang all night.. We came back to the studio that afternoon, and we had to fix one line very quickly, and then (engineer) Dana (Jon Chapelle) and I got back on the plane with the tape, went back to the studio in Sausalito, and mixed it. So it was a three- day process: a day and a half for music, kind of like a day for vocals, and a day for mixing. They wanted Carey's vocal a little louder, so a remix was quickly completed. The producer asked if the song would still make the debut album, and was told, .
It was a song that actually was strong enough to stop the pressing.. I don't know if they had to throw away a few hundred copies. Carey won for Best Female Pop Vocal Performance and also received the award for Best New Artist. Battel from All. Music found the record . The album topped the chart in its 3. Carey's exposure at the 3. Annual Grammy Awards, and stayed there for 1.
Carey's career. The album has sold 4,8. United States, according to Nielsen Sound. Scan, which began counting sales after January 1, 1. Aside from its chart success, the song was lauded by music critics. In a retrospective review on the album in 2.
Entertainment Weekly called the song . The song became Carey's second single to top the singles chart in the United States, and third chart topper in Canada.
Aside from peaking at number two in Canada, it charted at number 4. Australia. Carey's first televised appearance was at the 1. NBA Playoffs where she sang . Carey's fourth single . Most of the albums singles were performed live throughout Carey's short Music Box Tour.
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